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She encountered fellow American expatriate Lawrence Walters (Costas Mandylor), another novelist and rower on the Seine River, who told her when they first met at a party: "I know you. Could be shy, could be a recluse." Afterwards, she thought to herself after they danced: "Time stood still.

This morning and the morning before that, and the morning before that, on the bridge..." She confirmed: "I write at night, and at sunrise, I take a walk along the river before I go to sleep." He responded: "I know...(You're) Elena Martin, American. We could have been on the dance floor for ten minutes or two hours.

He pretentiously spoke: ".know that behind every image revealed, there is another image more faithful to reality, and in back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see...."In the first story, the film's couple had a chance meeting in a small Italian town of Ferrara at a hotel where they were both staying - they were city water pump technician Silvano (Kim Rossi-Stuart) and slender, beautiful schoolteacher Carmen (Ines Sastre).

This multi-part drama (by elderly, speech-impaired 83 year-old master Italian director Michelangelo Antonioni with German/Dutch co-director Wim Wenders) was an artsy, erotic, puzzling and pretentious group of four interconnected vignettes or short stories (based on Antonioni's own book "That Bowling Alley on the Tiber").At the same time that Eugenia was withdrawing her affections, gentlemanly William partnered with his poor but talented artist/writer , a governess to the younger Alabaster children.They worked together on an ant colony research project taking many months - she was much wittier and smarter than William's wife (causing Eugenia jealousy and dissatisfaction).It was rated NC-17 for theatrical release, but then modified for an R-rated video release.The film was loosely adapted from Anais Nin's post-humously published erotic novel, about an American writer of erotic novels abroad in 1940s Paris named Elena Martin (Audie England) who thoroughly researched her subject matter by exploring her sexuality, while narrating in monotonous voice-over.

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